Apricity / February 2023

THE TUFFY TRIBUNE

multicolored confetti on a white background

Hello... rain rain, go away

The customer is always right. There's no getting around it. When our team reflected over the first few editions, we recognized that we weren't really including you, the reader, in our process. We did not ask for your feedback, suggestions, or involvement. As a result, our school newspaper risked becoming a clique newspaper. Going forward, we want to cater to your interests and needs.

Like always, we're trying something new this edition. A digital paper doesn't need to be confined to stocky 8.5 x 11 rectangles. Instead, we've designed February's edition to be a fully mobile experience: scrolling over flipping. We think it was worth the wait!

My special thanks goes to the whole team at the Tuffy Tribune for being open and honest about where we are and where we want to be. Because of their commitment, I am confident that the Press will become a permanent, positive mainstay at FP.

We want to hear from you!

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The 65th Annual Grammys had social media baffled, angered, and overjoyed-a wide array of emotions. I was a little bored watching the problem, but when the eventful activities started, I was a part of the baffled crew on social media.

Bad Bunny's opening act was outstanding. Even from my TV, I felt like I was vibing in Latin America. Even Taylor Swift was having the time of her life, dancing to almost every performance. The most notable performances that I thoroughly enjoyed were Steve Lacy’s “Bad Habit,” which was a classic giving me fall nostalgia, Lizzo’s “Special,” bringing the Grammys crowd to church with her vocals, and Sam Smith and Kim Petra’s devilish performance of “Unholy," giving the girls a taste of Hell. 

About the awards, there were lots of hit-or-misses. A hit was Beyonce making history by being the artist with the most Grammys ever, beating out conductor Georg Solti. Beyonce paved the way for Black women in music, who get constantly overlooked. Lizzo, Adele, Harry Styles, and Bad Bunny winning in their categories was sensational and deserving since they consistently shine in their genres.

However, a miss was Bonnie Raitt winning Song of the Year for “Just Like That." You might be wondering, "who is that?", which was my question and social media's. Bonnie competed against big names like Taylor Swift, Harry Styles, Lizzo, and Adele. It was a surprise win. Personally, I think that she was well deserving of the award. Her acceptance speech and even listening to the song convinced me she was Grammy-worthy. “Just Like That" was about the beauties of being an organ donor and how many lives are saved daily through donations. An impactful song like that deserves Song of the Year.

The most major miss during the night was Album of the Year. When Trevor Noah announced Harry Styles, the crowd went ballistic. However, the win was not the thing that audiences were clamoring over; it was the acceptance speech. When Harry Styles said, “...not many people like me win this award”, social media gagged, and so did I. I thought this remark was hypocritical since usually cisgender straight white males are statistically the most awarded for this category, taking up space for musicians of color. TikTok and Twitter felt the same, and discussions rose, even in Ms. Wacker's 2nd Period English Composition class.

Overall, this Grammys was a night to remember, and there will still be unexpected moments in the next one.

Shivneil Pillay

This year’s Grammys outfits were truly memorable. But the celebrity that stuck out, the one that was the talk before Harry Styles, was Cardi B. Miss thang ate and left no crumbs in a gorgeous royal blue cutout gown from Gaurav Gupta’s 2023 Couture Collection. And this beautiful cutout was just the tip of the iceberg.

Cardi B’s second ensemble was a stunner from the future. In a metallic robe, she gave Joan of Arc in the best way. With the matching metallic veil, Cardi B grabbed my attention and vote for this year’s most memorable Grammys fit. 

Nik Smith

Robyn Rihanna Fenty. Viewers could not forget her name after her history-making Super Bowl 57 halftime show.

Rihanna served vocals, looks, and nostalgia at the stadium, making it feel like a Rihanna concert, not an intermission. When the concert began, I was immediately at the edge of my seat from the utter shock I felt when Rihanna opened with one of her most iconic songs, “B**** Better Have My Money." @badgalriri showed why she’s the artist of the generation throughout the performance with her old records: "Umbrella,” “Rude Boy,” “We Found Love,” and “Work.”

The visuals of this concert were awing. Rihanna was on platforms lifted into the sky. I sat shaking, thinking she was going to fall. Her all-red outfit with Fently lipstick told me this show was going to be revolutionary. The background dancers were exceptional with their energy and expression through the songs and their all-white puffer jacket fits. Dancers from the group Royal Family gave the crowd their everything. Notably, dancer Zavion Brown brought the best moves on the floor with flair and matched the crowd's hype. Iconic parts of Riri’s performance included her nailing the vocals for “Work” and twerking along to “Rude Boy." The most impactful part of the show was the ending when Rihanna rubbed her belly when she sang “Diamonds,” signifying another baby on the way. From the beginning, I did realize that she had a little belly under all that red, but I associated it with post-partum weight gain, which was completely normal and healthy. When Rihanna confirmed her pregnancy through a later magazine shoot, the world was ecstatic for Fenty #2. At the same time, the world was a little saddened because her long-awaited album would be postponed for another, give or take, five years.

Overall, the halftime show was great, but I wish Rihanna brought more to the table, considering her status. Yes, she was pregnant, but if she was not carrying, I could guarantee a more active performance from her.

Being the first active billionaire to perform at halftime, Rihanna showed that black women are here to stay and constantly break barriers. Also, a huge shoutout goes to the ASL interpreter Justina Miles, who made history as the first deaf woman to perform at the halftime show and brought the most climactic expressions throughout the performance.

Shivneil Pillay

After six years of zero new singles, Riri made a comeback. The Super Bowl was the event to see, not because of the sport but because Rihanna was in the building. Since the headline announced, the icon hinted at a special guest appearance. Though, no one was expecting who showed up. Making them the youngest Super Bowl guest in history, the “expecting” Rihanna showed off her new baby bump in a stunning red ensemble.  

This baby mama ain’t about the drama, starting the show with B**** Better Have My money”. Ironic considering the singer was gaining no money from the performance. But like the true entrepreneur she is, Rihanna did make sure to hype up her businesses. She put on an amazing performance, while pregnant nonetheless-a true queen. But she wasn’t the only one making moves. The ASL interpreter, Justina Miles, became both the first Black and first fully deaf interpreter in halftime history. She reportedly said that she learned the songs by feeling the beats and rhythms. Needless to say, this year’s Super Bowl was a night to remember. 

Nik Smith

Sports

Photo Credit: Allan Ken

Photo Credit: Allan Ken

Photo Credit: Jayden Walker-Fields

Photo Credit: Jayden Walker-Fields

Photo Credit: Jayden Walker-Fields

Photo Credit: Jayden Walker-Fields

Photo Credit: Jayden Walker-Fields

Photo Credit: Jayden Walker-Fields

Your Franklin Pierce Boys’ Varsity Basketball team played an emotional yet electrifying senior night game. This exceptional game honored our varsity seniors Sayvaughn Soeum and Hezekiah Weekly for their athletic rigor throughout the season. The back-to-back aggressive four quarters threw both student sections in shambles.

The White River Hornets buzzed their stinger against our Cardinal beaks with their strong defense and offense, but our Varsity boys did not back down. Mason Thomas perfectly scored his famous threes and consecutive layups. Sophomores Jordan Disney and Javon Barbee came on the court aggressively with great defensive play, bringing the ball back and rebounding continuously. Turning the attention to the seniors, Mr. Weekly showed outstanding defense, obtaining spectacular steals from the nasty Hornets. Sayvaughn Soeum stormed great offense throughout the quarters, bringing the ball up and tallying points on the scoreboard with his spell-bounding threes and deep twos.

Fourth quarter, both sides of the gym were off the bleachers. The score was inches tight, with the game almost going into overtime. In the end, the final score was a heartbreaking 62-60-a very exhilarating finale for the basketball season. With the basketball season finished, be sure to look out for the next winter season for all the breakout athletes and their entourage!

Shivneil Pillay

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Now that we had survived the first half of the school year, it was time for the Junior Semester Assembly. The Junior Semester Assembly had the unique theme of "Blast to the Past." Nostalgic yet competitive games, such as tug-of-war, trivia, bump, and sharks-and-minnows, brought our 2024 class together. While celebrating and honoring those with perfect (or semi-perfect) attendance and grades, our junior ASB clearly worked hard to give us a memorable experience. The grade-only assembly stimulated a more intimate and involved participation from our peers. It motivated us to survive this semester before we say hello to our senior year.   

Keira Da

Quiet in the Theater

Our columnists weigh in on Black Panther: Wakanda Forever, Season 4 of You, Ant-Man and the Wasp: Quantumania, and "Boy's a liar Pt. 2."

Do you agree with them?

Nik Smith

Black Panther: Wakanda Forever

Like a lot of people, I wasn’t sure how the production would come together after Chadwick Boseman’s sad passing. I loved the first film and knew the second would be good as well. But I just couldn’t picture it. When Black Panther: Wakanda Forever came out on Disney+, I was quick to watch the movie. And to say the least, I was not disappointed. From the graphics and CGI to the storyline, the movie had me captured from start to finish. Notably, I appreciated how the writers paid their respects to the late Boseman in a memorial scene. 

And could this movie be the turning point in new Marvel? It opens the universe to the comic books more by introducing the lovable villain, Namor. When I first heard of Namor, all I thought was “knockoff Aqua-Man,” but I quickly grew to love the antagonist. All Namor wanted was to protect his people, and it was amazing to see others realize it.  

This movie also had a potential Iron Man replacement-not that they could replace Downey. RDJ will always have a place in my heart. But Riri Williams will have room for sure. The young inventor is a snarky genius-a total girl boss.  

To end, Black Panther: Wakanda Forever was a total win for the Marvel Universe, and I am so excited to see what happens next in Wakanda’s new era. 

Keira Da and LouLou Bello

You Season 4

The first part of Season Four of the hit thriller-drama series “You” was released on Netflix on February 9th. For readers who are not regular watchers of the show, You is in the perspective of the protagonist, Joe Goldberg. Joe is calculated, obsessed, and traumatized-the perfect recipe for a serial stalker-murderer. For regular watchers, this season may have seemed unnecessary considering how last season ended. Nonetheless, Season Four was nothing short of campiness and suspense.  

While the season centers on Joe—or rather Jonathon—whose murderous yet passionate past catches up to him, it is also a “whodunnit” mystery. The season has the literal theme of “hunt or be hunted.” Joe gets framed for murder by a secret messenger, who holds Joe’s criminal history over his head. It doesn’t help that Joe is carefully surrounded by snobs, who seem to care only for themselves. You cannot help but dislike almost every person Joe encounters. There was not a single person in this season that genuinely felt like a person with good morals. Therefore, as our character pieced together the puzzle pieces, so did the reader. 

The writers did an amazing job at making every character either incredibly suspicious or highly unlikeable. They also did an incredible job in making us root for a murderer. Although this season is not as engaging and loved as the past seasons, it has an interesting switch up to the usual plot. Next time, we can hopefully anticipate more drama-packed plot lines rather than more death and murder.  

Keira Da

You, a psychological horror that tests how far someone can go for love. With Season Four finally releasing, a flame was undoubtedly cast and spread.

Within the first 10 minutes of the season's first episode, I was at the edge of my seat, frantically tapping my leg and chewing on my nails like I hadn't eaten in days. This show always brings something to the table that keeps the girls well-fed. Every episode is so engaging. From the immense paranoia you suffer to the suspense and fervor you sense, you can't help but find yourself demanding more. Season Four provided the viewers with something new and refreshing. Out of all the seasons, none have invoked this much emotion within me, especially not in the first four episodes.

With my eagerness to see what comes next, this also inevitably conjures the question of whether or not they will be able to step it up from here. Giving 120% every single time is not something many hit shows have been able to do, and I worry that You might suffer the same bloated fate. An issue I've already started to see is the lack of character development within the new cast. They felt like filler props that didn’t help raise the plot and were only there to fill gaps. Even so, these are only the first four episodes, and there's much more to come. 

All that said, I give the start of the Fourth Season of You a 7.5/10. If you haven't already, give Joe Goldberg and his new friends a visit to see how the plot unfolds.

LouLou Bello

Shivneil Pillay

Ant-Man and the Wasp: Quantumania

Ant-Man and The Wasp: Quantamania dove into the Marvel Cinematic Universe’s Quantum realm, highlighting this new territorial expansion in the popular film industry. The movie ties in noble themes of a father-daughter relationship, liberalism, and standing up for what’s right. These themes do not seem rushed, and they heart-warm the viewer. Also, I think the new relationship dynamic between our beloved Ant-Man (Scott Lang) and Ant-Girl (Cassie Lang) is well incorporated. Their relationship didn’t seem forced, and the scenes with them genuinely felt like I was watching an actual father and daughter on the movie screen instead of a couple of actors. And I love how this movie seemed like a giant inside joke for active MCU enjoyers. Every event, macro or micro, easily connects to the main MCU timeline. Marvel writers are famous for their spiderlike webbings of each little detail. 

A bone I had to pick with this movie was that I didn’t necessarily enjoy the overly exaggerated detail about the Quantum realm with its different species, landmarks, and spaceships. These details made it feel like I was watching Star Trek instead of a Marvel movie. There was literally a blobfish in the movie, which was absolutely insane because this is not the oceanic realm. And many events were unnecessary, disjointing the main storyline. However, this movie dives in really deep, uncovering the layers of Marvel Phase 5 projects and potentially hinting at the buildup of Avenger's Secret Wars. 

Overall, I give this movie a 6.5/10. The storyline and writing were well-induced and researched, but the downsides were the Star Trek undertones.

Shivneil Pillay

"Boy's a liar Pt. 2" with Ice Spice

Isis Gaston, more commonly known as Ice Spice, and PinkPantheress created a new jaw-dropping collaboration of the original song “Boy's a liar." On my first listen, I was irked. When I first heard Ice Spice’s verse, I felt her music style and Pinkpantheress' clashed. Ice Spice was very much bad girl energy with wigs flying, and PinkPantheress was very dainty and quaint, supplying her listeners with the art of fragility. These personalities were in their separate lane, especially in this song about relationship issues.

However, with a few more listens and the sound trending on TikTok, my opinion immediately changed; call me a switcher-upper, but so be it. This track was genuinely great. I came around to appreciate Ice Spice’s flow and word choice. She really made the song more catchy and engaging. Everyone at FP and I started rapping along like we were munches. In the end, Pinkpantheress made the best call bringing Ice Spice in for her track. The collab brought more publicity to her art since Ice Spice had the hype. Additionally, "Boy's a liar Pt. 2" broke the Billboard Hot 100, signifying it was a hit. I was impressed with what these two artists brought to the table, and I am very excited to see what their future projects entail.

Click above to start munching on the music!

black textile in close up photography

The Press teamed up with Ms. Marubayashi's Medical Interventions class to share some infographics about the five patterns/trends of cancer

Credit to T. Cobrey

Credit to T. Cobrey

Credit to S. Skeek-Pangelinan

Credit to S. Skeek-Pangelinan

Credit to E. Smiley

Credit to E. Smiley

A simple talk scheduled with the boss erupted into a raging protest.

On February 6th, cowbells rang, whistles screeched, and air horns blasted outside the streets of Burbank as the familiar Dhar Mann actors raised their voices against the CEO himself, Dhar Mann. Dhar Mann is a multi-millionaire YouTube content creator and entrepreneur who makes videos teaching easy life lessons, such as “What’s in the dark always comes to light.” Every video features the same actors, sometimes as the hero and sometimes as the villain. As many appearances as the crew members made throughout his channel, they claim Dhar Mann did not pay them as much as they hoped.

Actor Colin Borden, on his Tiktok user @colinaborden, explains, “There are a lot of issues at hand here. But one of the main issues is that not a single actor at Dhar Mann Studios can afford rent.” Afraid of getting fired for speaking up, the actors got together and scheduled a meeting with the CEO. (The actors were all contractual employees working directly under Dhar Mann rather than through Dhar Mann Studios. Therefore, they were adamant about a meeting with Dhar Mann, their own boss.) Borden says the meeting was pushed back numerous times, and on the day of the meeting, only HR showed up; Dhar Mann himself did not. The actors walked out of the meeting in frustration, and in one last attempt, the actors emailed Mann again, stating they wanted to express their issues directly to him. Following that week, management declared that there would not be a meeting with him and to forward their concerns to HR.

The actors then decided to take matters into their own hands and raise their picket signs. “I’m protesting because the man never talks to anyone; he silently fires people, and he doesn’t pay anyone what they’re worth,” actor Nick Sarando asserted. The protest lasted for six days. Eventually, Dhar Mann Studios responded to the outcry through a now-deleted Instagram post. The post stated, "For background, we did arrange an in-person hour-long meeting with Actor representatives and 2 of our most Senior Leaders, including our Head of Production, in hopes of understanding concerns prior to any protests. During that meeting, the Actor representatives refused to communicate any concerns and instead walked out (more info in our Story)."

In a later press conference, the actors revealed they, in fact, lost their employment with Dhar Mann. Yet, they expressed their cheerfulness and satisfaction as, after the protest, they successfully held a meeting with Dhar Mann and permanently increased the pay of the remaining studio actors. Dhar Mann’s videos may teach simple, boring morals, but he may have forgotten his most important lesson: “What happens in the dark always comes to light.”

Jesita Sawatdee

Poetry for the Heart

black crow with white background

Poem by Nik Smith

Poem by Nik Smith

Turtle Dove

they want me to be a turtle dove. 

Light and elegant.  

Blending in to fit to their perspective. 

But I am no dove. 

I am a raven. 

Dark sleek and beautiful.  

They don’t want to be seen with someone who defies the norm. 

They look at my plumage and think I am dirty.  

So stubborn to acknowledge beauty in differences. 

They want me to be a dove so I can blend in 

But I don’t want to blend in 

I will stick out and let my unique light shine 

They will not take my light.  

And I don’t want theirs 

I have kept to myself  

fearing that when they see  

they will take my beauty for themselves 

but my feathers are not to be hung in a museum.  

my sleek unique beauty is just that. 

mine 

white and brown boat in body of water

Poems by Aaron Chin

Poems by Aaron Chin

Haikus

The ice rabbit hops
A fleeting life born from snow
The snow falls once more

Sun rising blue sky
flowers dancing on the road
light shining on us

sailing across sea
clear waters moving calmly
the new life we gain

water droplets on glass window

WELCOME BACK TO ANOTHER EPISODE OF THE LATE-NITE SHOW! PLEASE WELCOME OUR NEXT GUEST: BEST ACTOR BOBBY VERKUYL

An Evening with the Star of The Legend of Sleepy Hollow

When Will Bobby NOT Get Cast as a Romantic Lead?

How was it playing this character? How would you compare the first performance to the last performance and the performances in between? Do you have a specific process when you're preparing for your role? What were your other other roles in FP plays over the years? Why should people join Drama Club?

Connect 4 With Bobby

Watch the game of Connect 4 that seems to never end!

Bobby Comes up With an Improv Speech About Homework

Are you competing in the SkillsUSA competition? What are you competing in state for? Do you get time to research that prompt [for extemporaneous speech]? Do you remember what your prompt was? What do they expect from you? Can we try some improv speech right now?

When I came in to review The Legend of Sleepy Hollow, I confess I expected very little. Before entering, I had not heard much about the show-how it was, who was in it-and I felt indifferent about the show’s premise. I came in Friday evening with other friends in the Press, and we sat in the back row.

The curtains rose on a graveyard. Immediately, I was struck by the seriousness of the actors playing the graveyard spirits. They had sullen faces and spoke forcefully: “beware, beware!” Here is the town of Sleepy Hollow, a haunted place where its residents delight in telling ghost stories and legends.

Ichabod Crane, played by Bobby Verkuyl, is the town’s new schoolmaster, and Ichabod exudes a Willy-Wonka-like demeanor, perfectly encapsulated in Bobby’s performance. Bobby is so well in character, so committed to every cartoonish tumble, hop, and leap. His acting is dynamic and energized, fresh even for the third time performing the play.

In the story, Ichabod competes with local trickster Abraham “Brom Bones,” played by Peyton Crow, for the love of town sweetheart Katrina, played by Pip Call. Pip is impressive in this role. She nails Katrina’s perky, self-directing character. Pip delivers her lines confidently, proudly touting, for example, that she has the “prettiest ankles” in town. Similarly, Peyton has brilliant comedic delivery, embracing whatever his Gaston-like character does. He flexes his “iron muscles” for the ladies, berates Ichabod, and after being told off by Katrina, utters under his breath, “women.”

The supporting cast is equally excellent. Raydiant Clinton plays Katrina’s mother, Mrs. Van Tassel, and in her every scene, Raydiant has an actress’s aura and a gripping stage presence. Goose Berinobis plays the town’s old lady, Widow Van Dorn, and Goose’s creaky, squawky voice-acting magnifies and complements the character.

Behind the scenes, the costume changes are fast, and the setting resets are smooth. Mrs. Gray, the Director and Light Operator, uses subtle light dims to highlight drama, like Brom Bones’ monologue after “encountering” the headless horseman. Above all, I was impressed that many of the actors doubled characters and still memorized and internalized all their lines.

With all that said, I do have some minor critiques. To start, the production seems off-season, a couple months past Halloween. Some lines and scenes, like the crocheting scene, are hard to hear from the back, but I understand that this issue is common in theater. Additionally, the scenes could use more props; for example, the Props Master could place a door on the side to indicate the setting is in a room. Also, the show would benefit from selling concessions, especially during intermission. Finally, a plot summary in the pamphlet would be helpful for the unfamiliar viewer.

Overall, The Legend of Sleepy Hollow is a charming show with gusto across the board. FP’s Drama Club is wildly underrated and talented, and even with my cynical heart, I admit I had a superb Friday evening.

Darren Ho

Bobby (left), Pip (center), and Peyton (right)

Bobby (left), Pip (center), and Peyton (right)

Row, Row, Row

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